BLUE LIGHTS tops "Best of 2024" list

Two groundbreaking television series set in Northern Ireland have captured critical acclaim, making the New York Times Best TV Shows of 2024 list and offering powerful narratives that explore the region’s complex historical and contemporary landscape.

Disney’s SAY NOTHING, adapted from Patrick Radden Keefe’s bestselling book, delivers a gripping narrative deeply rooted in the historical context of the Troubles. The show provides an unflinching look at a dark period of Northern Irish history, examining the human cost of prolonged conflict.

TV Critic James Poniewozik praised the series as a “tough but enthralling work that traces old scars, revives bitter memories and measures a generational account of multiplying injustice.” The show stands out for its nuanced approach to storytelling, bringing the intricate layers of Northern Ireland’s painful past into sharp focus.

Equally compelling is BLUE LIGHTS, a Belfast-based drama that offers a modern perspective on the ongoing reverberations of the Troubles. Created by Adam Patterson and Declan Lawn, the series follows PSNI (Police Service of Northern Ireland) officers navigating the complex social and political landscape of contemporary Belfast.

New York Times TV Critic Mike Hale highlighted the show’s profound exploration of historical trauma, noting that “The Troubles are alive in this Northern Irish crime drama, a legacy of damage, suspicion and hatred that threatens cops every time they step out of their cars.”

The series distinguishes itself through its authentic portrayal of police work, blending familiar procedural elements with deep emotional nuance. Sian Brooke’s performance as a middle-aged rookie officer with social worker instincts has been particularly praised, bringing depth and humanity to the ensemble cast.

Both SAY NOTHING and BLUE LIGHTS demonstrate the continued artistic vitality of Northern Irish storytelling, offering viewers sophisticated, layered narratives that go beyond simplistic representations of conflict and instead explore the human experiences that persist in its wake.

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