Andrew Scott, the Emmy-nominated star of FLEABAG and ALL OF US STRANGERS, has brought his tour-de-force performance to New York as Simon Stephens’s radical adaptation of VANYA begins previews at the Lucille Lortel Theatre. Fresh from his recent cinematic triumphs in ALL OF US STRANGERS and RIPLEY, Scott now reprises the Olivier Award-winning role that London critics declared “a revelation” during its acclaimed run at the Duke of York’s Theatre in late 2023.

This isn’t just another revival of Chekhov’s classic—it’s a theatrical high-wire act where Scott inhabits every character in the 105-minute production. While luminaries like Laurence Olivier, Ian McKellen, and Peter O’Toole have grappled with the titular role throughout theatrical history, Scott breaks new ground by embodying the entire dramatis personae. The actor, who first captivated American audiences in the BBC’s SHERLOCK before achieving global recognition as the “Hot Priest” in FLEABAG, brings his remarkable emotional range to this innovative staging.

The production, co-created by Scott alongside adapter Simon Stephens, director Sam Yates, and designer Rosanna Vize, “explores the kaleidoscope of human emotions, harnessing the power of the intimate bond between actor and audience to delve deeper into the human psyche.” Scott’s involvement extends beyond mere performance—his creative partnership with the production team reflects his growing artistic influence following his meteoric rise in film and television.

Scott’s return to New York theater marks a significant moment for the actor, who made his Broadway debut in 2006 in David Hare’s THE VERTICAL HOUR. Now, with an Olivier Award and a BAFTA already secured, and coming off his critically acclaimed performance in Andrew Haigh’s tender ghost story ALL OF US STRANGERS, Scott confirms his status as one of our most versatile performing artists.

The off-Broadway run is scheduled for just eight weeks with an official opening night set for March 18. Theater enthusiasts unable to secure tickets may find solace in knowing the London production is currently streaming on National Theatre at Home, though nothing compares to witnessing Scott’s transformative performance live. This limited engagement, executive produced by Wagner Johnson Productions, features the design talents of James Farncombe (lighting), Dan Balfour (sound), Jack Phelan (video), Michela Meazza (movement), and Natalie Pryce (costumes), with Marianna Gailus serving as Scott’s understudy.