Cillian Murphy stars in the poignant Irish drama SMALL THINGS LIKE THESE, now available for digital rental and purchase in the UK and US. Based on Claire Keegan’s novel, the film follows Bill Furlong, a devoted father who uncovers a disturbing secret at a local convent, forcing him to confront his past and the Catholic Church’s systemic silence.

Directed by Tim Mielants and adapted by Enda Walsh, the movie features an impressive ensemble cast including Eileen Walsh, Michelle Fairley, Emily Watson, Clare Dunne, and Helen Behan.

Digital Availability:

• UK: Already available on Prime Video, iTunes, and other digital retailers
• US: Releasing tonight (December 16) on Prime Video, iTunes, and additional platforms

Physical Release:

• DVD and Blu-ray pre-orders are available in the UK
• Lionsgate has not yet confirmed a physical release date

Murphy recently discussed the film’s intentionally ambiguous ending, praising its narrative approach. “The genius of the book is how it unspools,” he explained. “It leaves room for multiple interpretations—potentially optimistic or pessimistic—while representing the gradual loosening of the church’s historical grip.”

Fans can catch SMALL THINGS LIKE THESE digitally now, ahead of Murphy’s return to PEAKY BLINDERS in the upcoming movie.

In his recent work, Cillian Murphy has increasingly gravitated towards roles that demand nuanced, introspective performances. SMALL THINGS LIKE THESE, a historical drama set in 1985 New Ross, Ireland, exemplifies Murphy’s approach to character portrayal – a method he describes as “acting in repose.”

In the film, Murphy plays Bill Furlong, a coal merchant confronting the systemic abuse within a local convent. His performance is a masterclass in restrained emotion, with Murphy conveying profound internal conflict through minimal dialogue and powerful, understated expressions.

Murphy’s insights into the character reveal a deep understanding of Irish masculinity during a repressive era. “These men retreated into themselves,” he explains, highlighting the cultural context of emotional suppression. The film’s exploration of the Magdalene laundries – institutions that housed and exploited women until 1996 – resonates deeply with Murphy, who was a child during this period of Irish social transformation.

Shot entirely on location in New Ross, the film embraces authenticity. Murphy and his longtime collaborator Eileen Walsh portray a married couple, with the production using real houses and existing convent exteriors. This approach mirrors Murphy’s acting philosophy of creating space for audience interpretation.

While this film represents a significant recent work, Murphy’s recent filmography has been marked by similarly nuanced performances. His portrayal of J. Robert Oppenheimer in Christopher Nolan’s OPPENHEIMER further demonstrated his ability to embody complex historical figures with remarkable depth and restraint.

Murphy’s career trajectory shows a consistent commitment to roles that require profound internal exploration, whether in period dramas, biographical films, or his long-standing collaboration with directors like Nolan in the PEAKY BLINDERS series.

The actor’s approach to performance continues to challenge traditional narrative conventions, prioritizing emotional subtlety over verbal exposition and inviting audiences to engage more deeply with character psychology.

SMALL THINGS LIKE THESE arrives in cinemas on November 1, marking another significant milestone in Murphy’s increasingly impressive filmography.

In his latest venture, Murphy, 48, portrays Bill Furlong in a period drama set in 1985 Ireland. The film, which he personally championed, originated during his time on the OPPENHEIMER set, where he pitched the concept to Matt Damon, describing it as “a little bit Manchester By The Sea meets Doubt.” Damon’s production company, Artist’s Equity, later took on the project.

Based on Claire Keegan’s acclaimed novel, Murphy speaks passionately about the adaptation: “Claire’s story was so perfect and magnificent in its brevity and what it captured, and it moved people and I felt for us, it was our challenge to kind of make a film that did justice to the novel. I never would like to be prescriptive about what people take from film. I just hope that they enjoy it and that maybe, maybe it gets them talking.”