INTO THE SILENCE hits the the festival circuit

INTO THE SILENCE

INTO THE SILENCE

The strobing lights have dimmed, the bass has faded, but the journey for INTO THE SILENCE has only just begun. What started as a vision of Ireland’s transformative acid house movement has evolved into a powerful 10-minute and 59-second exploration of trauma, healing, and the redemptive power of music that’s now captivating audiences across the festival landscape.

The film’s premiere at Windmill Studio on July 17th felt like the perfect crescendo to months of passionate work. With over 200 cast, crew members, and supporters filling the venue, the energy in the room was electric—reminiscent of the very rave culture the film celebrates. Seeing Daniel Soluns, Louis Martin, Conor Hackett, and Ruth Hayes watch their performances unfold on the big screen alongside the creative team was a moment that crystallized why we tell these stories in the first place.

From there, INTO THE SILENCE found its way to the outdoor setting of the Mallow Arts Festival in July, where the film’s themes of music as sanctuary resonated under the open sky. There’s something poetic about screening a film that explores the healing power of creativity in a festival environment where art becomes communal experience, where strangers gather to share in something larger than themselves.

Now, as we await responses from IndieCork, Waterford, Kerry, and other festivals, we’ve received confirmation that INTO THE SILENCE has been officially selected for the 16th Underground International Film Festival, running September 6th through 9th at the Royal Marine Hotel. The film will be featured in Shorts Program 5, placing it among a carefully curated selection of independent voices that dare to explore the complexities of human experience.

At its core, INTO THE SILENCE follows Bastien, a young DJ navigating Ireland’s 1990s acid house scene, as he confronts the echoes of a life-altering event that threatens to silence his passion forever. But this isn’t just a story about music or rave culture—it’s about the intricate dance between trauma and healing, between the creative force that drives us and the darkness that sometimes seeks to extinguish it.

The film deliberately explores how music becomes more than entertainment for Bastien; it transforms into a coping mechanism, a sanctuary, an ode to friendship lost and a bridge back to life itself. Through his journey, we witness the duality that defines so much of human experience—the passion of creation existing alongside the very real dangers of the world that inspires it, the healing power of art balanced against the chaos from which it emerges.

What makes INTO THE SILENCE resonate isn’t just its authentic portrayal of Ireland’s underground music scene, but its universal exploration of how we rebuild ourselves after loss. Bastien’s story speaks to anyone who has ever used creativity as a lifeline, who has found in art the words they couldn’t speak, the emotions they couldn’t otherwise express. The film reveals how the act of creation—whether mixing tracks in a dimly lit club or crafting a story for the screen—can become a form of resurrection.

As INTO THE SILENCE continues its festival journey, each screening becomes its own kind of performance, its own moment of connection between the story we’ve told and the audiences who receive it. The underground cinema scene, much like the rave culture the film explores, thrives on these intimate gatherings where art meets audience in spaces designed for discovery and transformation.

The festival circuit represents more than just opportunities for recognition—it’s where independent films find their tribe, where stories that might otherwise remain unheard discover the communities that need them most. For INTO THE SILENCE, each festival becomes another venue where Bastien’s journey can resonate, where the themes of resilience, recovery, and the healing power of creativity can find new audiences ready to listen.

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CHRISTY in theatres Aug 29

CHRISTY in theatres Aug 29

CHRISTY in theatres Aug 29

In the unforgiving landscape of Irish social realism, where stories often gravitate toward inevitable tragedy, CHRISTY emerges as something altogether more hopeful—a film that finds profound beauty in the struggle to belong. This is the story of seventeen-year-old Christy, cast adrift from his suburban foster home and thrust into the working-class reality of Cork’s north side, where his estranged older brother Shane reluctantly takes him in.

Director Brendan Canty, expanding from his own 2019 short film, has crafted something remarkable here—a social-realist drama that pulses with genuine warmth rather than manufactured sentiment. Working alongside screenwriter Alan O’Gorman, Canty understands that authentic emotion emerges not from manipulation but from honest observation of human nature. The result is a film that earns every moment of tenderness through unflinching honesty about the complexities of family, community, and the magnetic pull of home.

At the heart of CHRISTY lies a beautiful contradiction: this is a young man discovering he has talents beyond the fighting that has defined his troubled past. His unexpected gift for cutting hair becomes a neighborhood sensation, particularly after he transforms local kid Robot (played with natural charisma by real-life Cork rapper Jamie “the King” Forde). These moments of discovery and community acceptance provide the film’s emotional center, even as the threat of his dangerous cousins lurks perpetually in the background.

Perhaps most impressively, CHRISTY manages to convey something extraordinarily difficult to achieve without descending into sentimentality: genuine love for one’s hometown. This isn’t blind nostalgia or romanticized poverty tourism, but an honest reckoning with the way place shapes identity, the way community can be both salvation and trap, the way home can be simultaneously the source of our deepest wounds and our greatest strength.

The film builds to a cheeky hip-hop sequence over the closing credits that serves as both celebration and release—a moment of pure joy that feels completely earned after everything that’s come before. It’s the perfect capstone to a film that understands that even in the midst of struggle, there’s room for sweetness, for fun, for the kind of communal celebration that makes survival feel like victory.

CHRISTY premiered at the Edinburgh Film Festival before its Irish and Northern Irish release on August 29th and wider UK release on September 5th. It stands as proof that social realism doesn’t have to sacrifice heart for authenticity, that stories about working-class life can be both unflinchingly honest and deeply moving. In a cinematic landscape often divided between gritty pessimism and manufactured optimism, CHRISTY charts a third path—one that finds genuine hope in the simple act of coming home.

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...

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Sometimes the craziest move is the only one worth making. 🎬

More at irishfilmtv.com.

...

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THAT THEY MAY FACE THE RISING SUN now streaming

THAT THEY MAY FACE THE RISING SUN now streaming

THAT THEY MAY FACE THE RISING SUN now streaming

THAT THEY MAY FACE THE RISING SUN, the critically acclaimed 2024 Irish film adaptation, has achieved a remarkable 100% rating on Rotten Tomatoes and recently claimed the prestigious Best Irish Film award at the IFTA Awards (Ireland’s equivalent of the Oscars).

The film, which has just been added to BBC iPlayer, masterfully adapts John McGahern’s final novel. Set in the 1980s, it follows Joe (Barry Ward) and Kate Ruttledge (Anna Bederke), a couple who leave London behind to embrace life in a tranquil Irish lakeside community near Joe’s childhood home.

What makes the film’s success particularly noteworthy is director Pat Collins’s bold artistic choice to maintain the novel’s unconventional “anti-novel” approach. Rather than introducing artificial drama, Collins preserved McGahern’s original vision of a story stripped of traditional plot devices. This innovative approach, focusing on the quiet rhythm of rural life through “the rituals of work, play and the passing seasons,” has resonated strongly with critics and audiences alike.

The film’s triumph challenges conventional filmmaking wisdom, proving that a “lyrical celebration of the everyday” can captivate viewers without relying on dramatic plot points. Collins’s faithful adaptation honors McGahern’s original intention, expressed to the Observer in 2005, of “taking drama out” to create something dramatically powerful in its very absence.

This artistic gamble has paid off magnificently, with the film now garnering international attention through its BBC iPlayer release, marking a significant achievement for Irish cinema and demonstrating the enduring appeal of thoughtful, contemplative storytelling.

Brosnan joins Guy Ritchie production

Brosnan joins Guy Ritchie production


Brosnan joins Guy Ritchie production

Pierce Brosnan is set to headline a gripping new crime series for Paramount+, stepping into the role of Conrad Harrigan, the patriarch of a powerful Irish crime family based in London. The upcoming drama will see Brosnan starring alongside Tom Hardy and Helen Mirren in a global crime narrative that promises high-stakes drama and intense family dynamics.

In this Guy Ritchie-created series, Brosnan will portray Conrad Harrigan, the formidable head of a criminal empire with international reach. His character will be married to Maeve Harrigan, played by Helen Mirren, creating a power couple at the center of the story. Tom Hardy rounds out the principal cast as Harry Da Souza, a professional conciliator working directly for the Harrigan family.

The project, currently untitled and set to debut in 2025, represents a return to Brosnan’s dramatic roots. Known for his iconic roles in James Bond and various thriller films, the actor continues to demonstrate his range by diving into another complex criminal narrative. Originally conceived as a RAY DONOVAN spin-off and briefly titled THE ASSOCIATE, the series has evolved into a promising global crime drama.

Paramount+ executives are enthusiastic about the project, with Chris McCarthy praising the combination of exceptional talent both in front of and behind the camera. The series is expected to deliver high-caliber acting and intense storylines that showcase Brosnan’s continued ability to command the screen in compelling dramatic roles.

While details remain limited, the involvement of Guy Ritchie — known for his gritty London crime narratives like THE GENTLEMEN — suggests a series that will blend intricate storytelling with explosive action. For Brosnan, it’s another opportunity to prove why he remains one of Hollywood’s most enduring and versatile actors.

Irish Film

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Brosnan on THE LAST RIFLEMAN

Brosnan on THE LAST RIFLEMAN


Brosnan on THE LAST RIFLEMAN

Pierce Brosnan, at 71, continues to demonstrate his remarkable versatility and enduring presence in Hollywood with a slate of high-profile projects. In his latest release, THE LAST RIFLEMAN, available now on demand, Brosnan transforms into D-Day veteran Artie Crawford through an intensive two-hour daily makeup process by Millennium FX. The film, directed by Terry Loane and featuring Clémence Poésy and Jürgen Prochnow, tells the story of a widowed veteran who journeys from Northern Ireland to France for D-Day’s 75th anniversary.

Brosnan’s upcoming schedule showcases his continuing draw as a leading actor, with several major productions in the pipeline. He’s set to star alongside Cate Blanchett in Steven Soderbergh’s spy thriller BLACK BAG marking another prestigious collaboration in his career. The actor will also join an impressive ensemble including Helen Mirren and Ben Kingsley in Chris Columbus’s adaptation of THE THURSDAY MURDER CLUB Additionally, Brosnan is attached to a new CLIFFHANGER project, demonstrating his ongoing appeal in action-oriented roles.

This impressive lineup of projects, spanning various genres and working with acclaimed directors and co-stars, underscores Brosnan’s sustained influence and adaptability in the film industry well into his seventies.

Irish Film

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Brosnan joins CLIFFHANGER reboot

Brosnan joins CLIFFHANGER reboot


Brosnan joins CLIFFHANGER reboot

Pierce Brosnan is ready to rock with their reboot of CLIFFHANGER, following his role in the historical action film FAST CHARLIE (2024), in which he played a hitman seeking revenge.

Principal photography commenced in Austria for an updated take on the 1993 film of the same name that starred Sylvester Stallone. Jaume Collet-Serra directs the new movie that is planning a theatrical release and hails from Rocket Science, in partnership with Thank You Pictures and Supernix.

The CLIFFHANGER reboot centers on mountaineer Ray Cooper (Brosnan), who runs a chalet with his daughter in the Dolomites, a mountain range in Italy. When the pair are kidnapped, older daughter Naomi (James) — still dealing with trauma from a previous climbing incident — must overcome her past to save her family.

The original CLIFFHANGER hit theaters in May 1993 from TriStar Pictures and collected $255 million at the global box office. Stallone starred for director Renny Harlin as a mountain climber enlisted to help track down suitcases full of stolen cash in the Rocky Mountains.

KATHLEEN IS HERE in theatres Oct 18

Clare Dunne in KATHLEEN IS HERE


Clare Dunne in KATHLEEN IS HERE

A new Irish film is scheduled for release later this month and it explores some heavy themes. KATHLEEN IS HERE has been dubbed a moving and emotional film by those who enjoyed an early viewing. The film was written and directed by Irish filmmaker and actress Eva Birthistle, who is best known for her role in BROOKLYN starring Saoirse Ronan and BAD SISTERS. Kathleen (Hazel Doupe) is 18 and fresh out of foster care. She returns to her hometown to take ownership of her late mother’s house. Though she gets a job in the local shop and establishes a friendship of convenience with a co-worker, she soon realises that the emptiness of her life cannot be filled by social media and occasional boozy nights in the pub. But a chance encounter with Dee (Clare Dunne), a warm-hearted, happily married, young mother across the road, sends Kathleen on a destructive path of obsession and delusion.

Watch Trailer

Irish Film

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Farrell in BELLY OF THE BEAST

Colin Farrell

Filming is to be begin later this year on BELLY OF THE BEAST, director Andrew Haig’s follow-up to the Golden Globe nominated ALL OF US STRANGERS. Colin Farrell will star opposite Ben Stiller, who plays literary giant Norman Mailer. The biographical drama revolves around renowned writer Norman Mailer’s relationship with convict Jack Henry Abbott (Farrell) and the shocking events that unfold after the latter’s release from prison in 1981. 

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Irish Film

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